When Irvine Ranch land was transforming into a vibrant new kind of place, its Master Plan dared to reimagine what a downtown could look like. The answer was Newport Center. It would have all the pieces of a traditional downtown: workplaces, shops, hotels, theaters, restaurants and, especially, places for people to gather. But it would look nothing like Chicago’s Loop or Pershing Square in Los Angeles.

For the Master Plan vision to become reality, its forward-looking ideals had to be balanced with practical concerns. Could the plan adapt when commercial demands and public tastes changed over the decades? That’s a question that a good plan is intended to address.

So at Newport Center, the pieces of a traditional downtown were reimagined and rearranged. The shops were gathered together at the center of a ring road. Offices, hotels, financial and health services and other amenities were arrayed around the edge of the ring, bringing potential visitors nearby.

This was new. A typical shopping center of the times was lined up along the edge of a parking lot and looked out at a commercial strip. Fashion Island’s shops looked inward to attractive landscaped spaces where people could stroll, sip coffee, enjoy the open air, feel the ocean breeze and relax in the heart of this new downtown.

The Master Plan called for high-quality design, so outdoor garden plazas adorned with sculpture were created to different themes by famed landscape architect Peter Walker. The ever-popular koi pond was one of those early ideas.

The unconventional ring road organizing shops and offices at Newport Center echoed Master Plan architect William Pereira’s concept for the UC Irvine campus nearby. Its center is the natural landscape of Aldrich Park, and the buildings around UCI’s ring road house each of the academic departments.

Fashion Island’s department stores followed the guidelines for good architecture. On the north end, the Broadway (now Bloomingdale’s) with its elegant modernist colonnades and gleaming tiled surface was designed by Welton Becket, the prominent architect of The Music Center in Los Angeles. On the south end, Pereira’s design for Robinson’s (now Macy’s) marks each entrance with graceful columns. Its modern bell tower by artist Tom Van Zant remains a distinctive local landmark, a nod to the region’s Spanish heritage.

The office and commercial buildings around the ring road weren’t going to imitate the typical office park of the day, either. They boast designs by noted architectural firms Gin Wong, Ladd & Kelsey, Pei Cobb Freed & Partners and Skidmore, Owings & Merrill (SOM).

Pereira himself designed the striking reverse-pyramid for Pacific Mutual and the midcentury masterpiece buildings where Irvine Company has its headquarters. With well-proportioned modern lines reflecting their concrete structure, the towers are among the most elegant office buildings in Southern California.

As conditions and tastes changed by the 1980s, Newport Center avoided becoming a hodgepodge of random additions. Fashion Island hired another innovative architect, Jon Jerde, to design a major expansion to maintain its unified character.

Jerde extended the concept of outdoor landscaped plazas with a network of shaded walkways and fountain courts. His formal Mediterranean architecture with prominent cornices and classically symmetrical façades blended perfectly with the original center’s clean, modern lines.

Following the opening of The Resort at Pelican Hill in 2008, the architecture and landscape of Fashion Island transitioned again, moving away from the aesthetic of the 1980s in favor of modern classicism inspired by Italian Renaissance architect Andrea Palladio. The evolution continues today with the opening of a significant new building for RH and ongoing design and landscape enhancements throughout Fashion Island and Newport Center.

The vision for Newport Center also evolved. Today, there is a library, civic center and public park featuring large-scale sculptures. Residences are a draw for a live, work and play lifestyle. Open space opportunities nearby add nature, beauty and recreation.

While many downtowns and city center shopping districts across the nation struggle to remain relevant, Newport Center thrives. One reason: continuing reinvestment as part of a deep commitment to a Master Plan that evolves with the times while keeping its original strengths.

The Master Plan for Newport Center grew out of University of California’s decision to place a new university on The Irvine Ranch. William Pereira was commissioned to create the UCI plan on 1,000 acres of land that Irvine Company sold for $1. He then designed the visionary Master Plan for the entire Irvine Ranch, including Newport Center.

Architectural Icons

As a planner, William Pereira collaborated with Irvine Company designers and architects on what would become Newport Center. As an architect, he designed key buildings that would help define the early decades of the city center, including the dual office buildings at the heart of the business district and the distinctive Pacific Life headquarters that opened in 1973.

Henry Cobb, co-founder of the renowned architecture firm Pei Cobb Freed & Partners, advanced the city center with award-winning designs for PIMCO’s headquarters building at 650 Newport Center Drive, completed in 2013, and Irvine Company’s 520 Newport Center Drive, completed in 2015. Both serve as landmarks of sustainable design in the city, as do the two Spectrum Towers in Irvine, also designed by the firm.

Intriguingly, the 520 building that rises between Pereira’s twin structures was part of the original Master Plan in the 1960s, realized decades later.

Many other architects, planners and designers — both consultants and within the Company — contributed to Newport Center’s success story, including Welton Becket and Associates, SOM and SWA. Global hotel design firm WATG created the original 19-story hotel built in 1986 — which became Fashion Island Hotel and is now The Pendry Newport Beach — and also collaborated on its architectural evolution.

In the late 1960s, William Pereira and Irvine Company commissioned California artist Tom Van Zant to create giant intaglio, or reverse, sculptures of native animals, aquatic creatures and people at the matching towers. The walls were cast in concrete with granite pebble aggregate that was blasted away, revealing the beautiful sculpture within. It was then tilted up to create the wall panels. “The walls look just like they did the day they were cast,” Van Zant told the Smithsonian Archives of American Art in 2008.

Van Zant’s artistic contribution to Newport Center also includes the landmark Wind Chimes he created in 1967. He also has a lovely sculpture set in a soothing water feature in The Commons at 610 Newport Center Drive, pictured at left. A simple plaque says “Sculpture, by Van Zant, 1972.”

Seeing Van Zant’s work included in recent reinvestments in outdoor spaces seems fitting as a symbol of the continuing evolution of Newport Center.

The Pop Jet Fountain

With 150 retailers and acclaimed restaurateurs, Fashion Island’s coastal, open-air setting blends timeless luxury, emerging brands, world-class designers, uncommon boutiques and remarkable dining options, attracting guests seeking an exceptional retail experience.

Fashion Island began as an outdoor shopping center in 1967 with an original plan from William Pereira and Welton Becket. Since 1967, the center has undergone two major transformations and expansions. The first major change came in the 1980s with the addition of Atrium Court followed by an expansion and redesign led by Jerde Partnership, which added new curving and diagonal shopping streets, overhead arcades, courtyards, water features and landscaped paseos. In 2010, Fashion Island completed a $100 million reinvestment that transformed the center’s buildings and outdoor spaces with dramatic new architecture, landscaping and fountains, reflecting the modern classicism of Italian Renaissance architect Andrea Palladio.

Keeping and reimagining key landmarks such as the Koi Pond, Iris Fountain and the Macy’s Fountain offers a link to the past that makes Fashion Island memorable. The fountains and water features are an essential ingredient to creating a unique experience and character for each space. People love water and are naturally drawn to it.

The midlevel space near RH, recently upgraded with new turf and Adirondack chairs, is one of many pleasant areas to relax at Fashion Island. It also honors planning and design, with a dedication to Irvine Company architect Roger Sietz. A plaque there describes Seitz as “a talented, passionate master architect and urban designer responsible for creating places for all of us to enjoy.”

Open-air ambiance is central to the Fashion Island vibe. Many retailers enhance the experience with wide-open doors and inviting entries, accenting the indoor-outdoor Southern California style.

The design of the 45-foot-tall obelisk that rises from the Commons Fountain between Neiman Marcus and Bloomingdale’s was inspired by the historic fountain of Four Rivers in Piazza Navona, Rome.

The Pop Jet Fountain

Featuring the city’s signature laid-back luxury style, showrooms in Fashion Island, Corona del Mar Plaza and Crystal Cove Shopping Center range from expansive galleries to curated boutiques — each offering a distinct lens for design pros and DIYers alike.

Arhaus



Science-backed, sleep-supporting systems that ensure a simple yet elusive goal: deep sleep


A staple for designers looking to give spaces a shot of vintage-inspired whimsy


The epitome of luxurious coastal design, known for expertly crafted teak and woven collections that bring comfort and beauty


The retail cornerstone for curated homes, mixing classic names like Ralph Lauren
with wellness-focused offerings


Helping bring light to one of the trickier design dilemmas, window treatments


Elevating candles into decor objects with sculptural jars and perfume-grade scents




Masters of outdoor living crafting customizable furniture built for the coastal lifestyle


Fine cookware, professional-grade gadgets, gourmet goodies, cookbooks and courses for the culinary-minded


A fresh arrival promising
sustainable, handcrafted luxury


Fetneh Blake Concept
Marché Moderne




When designing the restaurant, Martyn Bullard created a dramatic world inspired by the Mexican city of San Miguel D’Allende. The result is an exotic environment with classic patterns, lush plants, mirrored walls, moody lighting and generous use of the restaurant’s name-sake color.

Red O

Perfectly Palladian

The name Pelican Hill has become synonymous with luxury, thanks to both the residential community and The Resort at Pelican Hill. The resort, which opened in November 2008, was designed as a direct homage to the 16th-century Italian architect Andrea Palladio, whose influential writings (Thomas Jefferson was a devotee) include universal principles that elevate a mere structure to a work of art. The Resort at Pelican Hill features grand proportions, symmetry and harmony with the natural landscape inspired by Palladian principles, including signature details like arched porticos, barrel-vaulted ceilings and hand-cut Italian limestone. A defining feature is the Coliseum Pool. The pool’s bottom is itself a work of art, lined with more than 1.1 million hand-cut glass mosaic tiles. More than 750 mature olive trees, some over 100 years old, complete the Tuscan-inspired ambiance. These living elements set alongside the architectural forms serve to create a seamless and timeless experience, ensuring Pelican Hill’s status as an architectural landmark in Southern California.

“I believe Andrea Palladio is the finest architect that’s ever lived in modern times. He is an inspiration to me.”

– Donald Bren
Chairman, Irvine Company

Civic Beauty

Something that sets Newport Center apart from other city centers in Southern California is the presence of civic institutions. The Newport Beach Civic Center debuted in 2013 on land dedicated to the city by Irvine Company. Designed by Bohlin Cywinski Jackson, it features a distinctive wave-like roof, sustainable design elements and an openness and accessibility that help the center serve as a vibrant community hub. The landscape of the 14-acre, ocean-view site — including the adjacent park and sculpture garden — was designed by PWP Landscape Architecture, the firm of renowned designer Peter Walker.